I’m a colorist with over a decade of experience in bringing footage to life through thoughtful color work. Naturally curious and equally both a technical and creative problem solver, I shape the tone of images for a wide range of projects from commercials to music videos and feature films. I love using color to enhance storytelling and create memorable visuals.
Originally from Long Island, I studied film and art history at Northwestern University before starting my career at The Mill’s New York office in 2011. I worked my way up from runner to color assistant, before moving on to grade at Nice Shoes, post manage for Wired and GQ at Condé Nast, and freelance color for clients including CNN, Warner Music Group, and Amazon. In 2021, I joined Moving Picture Company, which later merged with The Mill under Technicolor. There I continued to refine my craft and collaborate directly as a colorist with leading brands, agencies, and filmmakers using Baselight and DaVinci Resolve.
My credits include the Academy Award-nominated St. Louis Superman, Cannes Directors’ Fortnight Ily Prize winner Skip Day, and the multi-award-winning documentary JessZilla.